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  <front>
    <journal-meta>
      <journal-id journal-id-type="publisher-id">1562</journal-id>
      <journal-title-group>
        <journal-title>TEXT</journal-title>
        <journal-subtitle>Journal of Writing and Writing Courses</journal-subtitle>
      </journal-title-group>
      <issn pub-type="epub">1327-9556</issn>
      <publisher>
        <publisher-name>Australasian Association of Writing Programs</publisher-name>
      </publisher>
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    <article-meta>
      <article-id pub-id-type="publisher-id">25597</article-id>
      <article-id pub-id-type="doi">10.52086/001c.25597</article-id>
      <article-categories>
        <subj-group subj-group-type="heading">
          <subject>Special Issues: scholarly article</subject>
        </subj-group>
      </article-categories>
      <title-group>
        <article-title>Troubling the life narrative: the case of Binjamin Wilkomirski’s <italic>Fragments: Memories of a childhood, 1939–1948</italic></article-title>
      </title-group>
      <contrib-group>
        <contrib contrib-type="author">
          <name>
            <surname>Bond</surname>
            <given-names>Sue</given-names>
          </name>
          <xref ref-type="author-notes" rid="author-note-1"/>
          <xref ref-type="aff" rid="author-aff-1">
            <sup>1</sup>
          </xref>
        </contrib>
      </contrib-group>
      <aff id="author-aff-1">
        <label>1</label>
        <institution-wrap>
          <institution content-type="edu">Central Queensland University</institution>
        </institution-wrap>
        <institution-wrap>
          <institution-id institution-id-type="ROR">https://ror.org/023q4bk22</institution-id>
        </institution-wrap>
      </aff>
      <author-notes>
        <fn id="author-note-1">
          <p>Sue Bond is a PhD candidate at Central Queensland University. She has degrees in medicine, literature, and creative writing, and has published short stories, essays, and book reviews in print and online journals in Australia and overseas. Her essay ‘A hole in the heart: on secrets, silence, and sorrow’ was long-listed for the Calibre Essay Prize in 2014.</p>
        </fn>
      </author-notes>
      <pub-date publication-format="electronic" date-type="pub" iso-8601-date="2018-10-31">
        <day>31</day>
        <month>10</month>
        <year>2018</year>
      </pub-date>
      <pub-date publication-format="electronic" date-type="collection" iso-8601-date="2022-04-18">
        <year>2018</year>
      </pub-date>
      <volume>22</volume>
      <issue seq="4">Special 50</issue>
      <issue-title>Life narrative in troubled times, edited by Kate Douglas, Donna Lee Brien and Kylie Cardell</issue-title>
      <fpage>1</fpage>
      <lpage>14</lpage>
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      <abstract>
        <p>Binjamin Wilkomirski’s <italic>Fragments: Memories of a childhood, 1939–1948</italic> was first published in 1995 in Germany, and in English translation in 1996. It purported to be a Holocaust memoir: the author wrote of his experiences as a six year old in concentration camps in Poland. Doubts were raised as to its authenticity, and eventually the memoir was revealed to be a ‘hoax’. Wilkomirski (whose actual name was Bruno Grosjean at birth) had been given up for adoption by his mother, who was poor and the victim of an accident that left her with brain injuries. I argue that the author of <italic>Fragments</italic> could not find a sense of identity or belonging as an adoptee, but did as a Holocaust survivor, and through a long and complex process he came to produce a narrative that explained his life <italic>as he saw it</italic>. I discuss the case in detail to build a picture of Wilkomirski as an adopted person rather than a literary hoaxer, and utilise the work of Betty Jean Lifton, who postulated that the damage done to him in childhood reverberated through the years into his adult life. A discussion of trauma (and trauma theories), as it relates to adopted persons and their life narratives, and the Divided Self theory adapted by Betty Jean Lifton and Jo Sparrow, are employed in providing a reading of <italic>Fragments</italic> as a troubled adoptee memoir, one that is embedded within the ‘false’ or ‘hoax’ memoir of Holocaust survival.</p>
      </abstract>
      <kwd-group>
        <kwd>witness</kwd>
        <kwd>testimony</kwd>
        <kwd>trauma</kwd>
        <kwd>adoption</kwd>
        <kwd>holocaust</kwd>
        <kwd>hoax memoir</kwd>
        <kwd>creative writing</kwd>
      </kwd-group>
    </article-meta>
  </front>
</article>
