ISSN 1327-9556
Vol. 21, Issue Special 44, 2017October 31, 2017 AEST
The screenwriting PhD: creative practice, critical theory and contributing to knowledge
The screenwriting PhD: creative practice, critical theory and contributing to knowledge
Articles in Vol. 21, Issue Special 44, 2017
Vol. 21, Issue Special 44, 2017
- Introduction: The exegesis now: where are we, and where are we going?Craig Batty and Donna Lee Brien
- Exegetical thinking: a methodology and two expositionsElizabeth Claire AlbertsWillo DrummondMarcelle Freiman
- Both sides now: the fear-less exegesisShady CosgroveHayley Scrivenor
- Talking it over: the agony and the ecstasy of the creative writing doctorateJen WebbJordan WilliamsPaul Collis
- The potential of the exegesis and the challenge of symbiosisKatrina FinlaysonJeri KrollAnnabelle Murphy
- The screenwriting PhD: creative practice, critical theory and contributing to knowledgeCraig BattyKathryn BeatonStephen SculleyStayci Taylor
- ‘An ambiguous genre’: thoughts on creative non-fiction and the exegesisRachel RobertsonDaniel JuckesMarie O’RourkeRenee Pettitt-Schipp
- The exegesis and co-authorship: collaboration between supervisors and research studentsNigel KrauthChristopher BowmanZoe Fraser
- Exegetical essentials: a framing structure and template for a comprehensive exegesis in the creative artsDonna Lee BrienAlison OwensGail PittawayIrene Waters
- Contributing to knowledge in creative writing research: what, where, how?Craig BattyAllyson Holbrook
- Doctoral Writing in the Creative and Performing ArtsElizabeth Ellison
- Researching Creative WritingDonna Lee Brien
Batty, Craig, Kathryn Beaton, Stephen Sculley, and Stayci Taylor. 2017. “The Screenwriting PhD: Creative Practice, Critical Theory and Contributing to Knowledge.” TEXT 21 (Special 44): 1–17. https://doi.org/10.52086/001c.25864.