Special Issues: scholarly article
My focus is on apophasis, the rhetoric of denial and negation, which since classical times has been a means of using language to deal with what lies beyond language.
This paper uses a Calvino-inspired creativecritical approach toward archival research to explore potential “versos” in archived text.
In this creativecritical essay, I argue that spatiality in language is a key principle of creativecritical writing.
Through a reading of Gerald Murnane’s A Million Windows (2014), I propose a model for how a critic might read from within a literary text.
This article takes up Ann Cvetkovitch’s desire for a mode “beyond” the predictable to argue that creativecritical writing might be better understood as a methodology than as a genre.
This article explores the experiences of three instructors of “Thinking Writing: Theory and Creativity” (postgraduate course, University of Melbourne) to unpack the issues in being critical theorists and creative writers.
Exploring creativecritical writing as “arts of living”, this essay addresses life writings that reflect a vibrant more-than-human relationship: the topic of gardens and gardening.
This creativecritical essay investigates the author’s object-oriented mania and her anticipatory relationship to “happy objects” through the lens of obsessive-compulsive disorder, inheritance, hoarding, and the empty promise of capitalism.
This article is a fictocritical examination of current research in/with/for the Nightcap National Park, performing the value of the form for the study of place and its place beings.
This article focuses on creativecritical citational devices, positioning creativecritical writing in relation to scholarly research and the academic writing it typically results in, as well as performative writing and autotheory.
This paper explores ways of traversing the perceived gap between creative and critical writing to help develop a creative/critical voice appropriate to the creative writing doctoral exegesis.