ISSN 1327-9556
Vol. 21, Issue Special 39, 2017April 30, 2017 AEST
The essay as polemical performance: ‘salted genitalia’ and the ‘gender card’
The essay as polemical performance: ‘salted genitalia’ and the ‘gender card’
Articles in Vol. 21, Issue Special 39, 2017
Vol. 21, Issue Special 39, 2017
- Introduction: Essay now: the contemporary essay in Australia and beyondKylie Cardell and Rachel Robertson
- The essay as polemical performance: ‘salted genitalia’ and the ‘gender card’Sue Joseph
- Walking, talking, looking: the Calibre Essay and remembering persuasively in AustraliaDaniel Juckes
- The essay in the Anthropocene: towards entangled nonfictionDavid Carlin
- Embodied subjectivity and the project of the contemporary literary essayJulienne van Loon
- Provocatively calm: on David Malouf as essayistPatrick Allington
- The emancipatory personal essay?Ellena Savage
- Both broken and joined: subjectivity and the lyric essayPaul HetheringtonRachel Robertson
- Wild associations: Rebecca Solnit, Maggie Nelson and the lyric essayMichelle Dicinoski
- Essay (queer). The. Essay. Queer. And. All. That.Francesca Rendle-Short
- The imagined parakeet: invention and fact irrelevance in the speculative essayRobin Hemley
- From Aristotle to crime scene: a forensics of the academic essaySean Sturm
- Aqua ProfundaMarie O’Rourke
- Not a memoir: an essayLucinda Strahan
- We might as well call it a boatThreasa Meads
- Please supply own title:______________________________________Peta Murray
Joseph, Sue. 2017. “The Essay as Polemical Performance: ‘salted Genitalia’ and the ‘gender Card’” TEXT 21 (Special 39): 1–16. https://doi.org/10.52086/001c.26082.