ISSN 1327-9556
Articles in Vol. 20, Issue Special 37, 2016
Vol. 20, Issue Special 37, 2016
- EditorialRachel Franks, Jesper Gulddal and Alistair Rolls
- Writing a murderous mother: a case study on the critical applications of creative writing research to crime fictionCarolyn Beasley
- Learning all the tricks: critiquing crime fiction in a creative writing PhDRachel Franks
- Lawyer as critic: analysing the legal thriller through the works of John Grisham, Erle Stanley Gardner and Harper LeeJason Bainbridge
- Trial by jury and newspaper reportage: re-writing women’s stories from legal transcripts and contemporaneous journalismDonna Lee BrienRachel Franks
- Creative, critical, intertextual: Agatha Christie’s _The Murder of Roger Ackroyd_Alistair Rolls
- ‘There are times when an old rule should be abandoned, or a current rule should not be applied’: narration, innovation and hardboiled fiction in Sue Grafton’s _“T” is for Trespass_Heath A. Diehl
- Narratives of apprehension: crime fiction and the aftermath of the Northern Irish TroublesMatthew McGuire
- Something old, something new, something borrowed: imitation, limitation and inspiration in French crime fictionJean Anderson
- The endangered species list: the mercurial writing of Charles Willeford and the strange case of _The Shark-Infested Custard_Jamie Popowich
- Subtle hues: character and race in Dorothy B. Hughes’ _The Expendable Man_K.A. Laity
- There was nothing, there was nowhere to go: writing Australian rural noirLeigh Redhead
- Detective fiction and the critical-creative nexusJesper GulddalAlistair Rolls
Jesper Gulddal and Alistair Rolls, Rachel Franks. 2016. “Editorial.” TEXT 20 (Special 37): 1–5. https://doi.org/10.52086/001c.26988.