ISSN 1327-9556
Articles in Vol. 25, Issue Special 62, 2021
Vol. 25, Issue Special 62, 2021
- IntroductionFelicity CollinsHester JoyceNoel Maloney
- Writing and performing Barbara and the Camp DogsUrsula YovichAlana Valentine
- On writing massaged verbatim or close work theatre: _Letters to Lindy_, _Made to Measure_, and _Shafana and Aunt Sarrinah_Alana Valentine
- How do we live in an endangered world? Katerina Kokkinos Kennedy and Triage Live Art CollectiveKaterina Kokkinos Kennedy
- _Homeland Story_: Friendship and filmmaking in Donydji homeland, North East Arnhem LandGlenda HamblyNeville White
- UnwindingRob Conkie
- The theatricalised screenplay and the intermedial stage in Ivo van Hove’s _All About Eve_Noel Maloney
- On making _Marvellous_: A performance about old age and death made out of conversation, improvisation and distillationHester JoyceMeredith RogersMaude Davey
- Filming Young Writers at Montsalvat: Intermediality and the creative potential of performed readingsTerrie WaddellNicole Skeltys
- Storytelling in a frameless screen: Screenwriting for VR and AR at Pentridge Heritage PrecinctAtalanti Dionysus
- Flowerlands: The written word as world makerAviva Reed
- Emerging site-specific screendance and the constraints of Covid-19Amelia Latham
- The liminal role of the screenplay: Pre-production, the screen idea and the visual conceptJuliet John
- Boxed in: Covid-19, comedy, and a captive audienceCharmaine Peters
- Adaptation as revision: Transforming makeover narratives from canonical literature to contemporary Hollywood teen filmPaige Tucker
- BTS other-worlds: Music video and the intermediality of the self-reflexive musicalAndrew Ty
- Goodwill hunting: YouTube user-generated content as a promotional tool for thrifted apparelNicole Pavich
Reed, Aviva. 2021. “Flowerlands: The Written Word as World Maker.” TEXT 25 (Special 62): 1–11. https://doi.org/10.52086/001c.29648.