ISSN 1327-9556
Vol. 15, Issue Special 11, 2011April 30, 2011 AEST
Globalising Australian screen production curricula
Globalising Australian screen production curricula
Articles in Vol. 15, Issue Special 11, 2011
Vol. 15, Issue Special 11, 2011
- Introduction: The creative screen production sector in Australia nowMick Broderick, Gillian Leahy
- Dead but still/moving—the slide show and documentary, a space between photography and cinemaAndrew Taylor
- _Motel_: reflections on a film production/interior design collaborationDavid Carlin, Paul Ritchard, Christine Rogers, Anthony Fryatt, Roger Kemp
- Between chaos and control: improvisation in the screen production processLeo Berkeley
- New Directions in Music Video: Vincent Moon and the ‘ascetic aesthetic’Alex Munt
- Beyond the frame: researching documentary ethicsKate Nash
- Predatory vision: 3D imaging and the transformation of screen-spaceRose Woodcock
- The ASPERA digital online archive/repository: key issues facing the contemporary moving image archiveRachel Wilson
- Managing occupational risk in the creative industries: a new perspective—or has OHS reached its use-by date?Nicholas Oughton
- Australian universities approaches to Occupational Risk Management for screen productionSusan Kerrigan, Pieter Aquilia, Jill Holt, Nicholas Oughton
- New world order?: Challenges for screen production education in participatory cultureJennifer StokesAlison Wotherspoon
- Globalising Australian screen production curriculaPieter AquiliaSusan Kerrigan
Aquilia, Pieter, and Susan Kerrigan. 2011. “Globalising Australian Screen Production Curricula.” TEXT 15 (Special 11): 1–11. https://doi.org/10.52086/001c.31373.