ISSN 1327-9556
Vol. 9, Issue Special 4, 2005October 30, 2005 AEST
The word processor and the shift in visual design of the short story
The word processor and the shift in visual design of the short story
Articles in Vol. 9, Issue Special 4, 2005
Vol. 9, Issue Special 4, 2005
- IntroductionWenche Ommundsen
- Critical Slag / Critical SlogPeter Craven
- Critical AbsencesSylvia Lawson
- The word processor and the shift in visual design of the short storyFrank Moorhouse
- The Hunger for IdeasCaro Llewellyn
- The Word Made Flesh: Festival, Carnality and Literary ConsumptionMichael Meehan
- 'Bloomsdaying': James Joyce in performance and the more-common-than-you-would-think ReaderFrances Devlin-Glass
- Marginalia: The Public Life of Australian PoetryDavid McCooey
- 'If it's Tuesday, this must be Jane Austen': Literary tourism and the heritage industryWenche Ommundsen
- The Fiftieth Gate : An Australian case study in twentieth-century 'popular' publishingRobin Freeman
- The unhallowed art: Literature and literary fakes in AustraliaMaria Takolander
Moorhouse, Frank. 2005. “The Word Processor and the Shift in Visual Design of the Short Story.” TEXT 9 (Special 4): 1–9. https://doi.org/10.52086/001c.31931.