ISSN 1327-9556
Vol. 26, Issue Special 66, 2022July 23, 2022 AEST
Positioning Jessica Anderson’s The Commandant as a work of biofiction
Positioning Jessica Anderson’s The Commandant as a work of biofiction
Articles in Vol. 26, Issue Special 66, 2022
Vol. 26, Issue Special 66, 2022
- Introduction: Historical biofictions from Australia and New ZealandKelly GardinerCatherine Padmore
- A rose by any other name: naming and re-naming biographical figures in Australian historical biofictionsGabrielle Ryan
- Meet Me at Lennon’s: Historical biofiction as a self-conscious narrative device in historiographic metafictionMelanie Myers
- Biography and biofiction: Seeking women's voices from nineteenth-century AustraliaElizabeth Chappell
- Positioning Jessica Anderson’s The Commandant as a work of biofictionMerran Williams
- Going to the gallows: a sonic biographyLyn Gallacher
- We Māori: Point of View in Māori BiofictionPaula Morris
- Cleft (a short story) and In my father's house (an essay)Alison Ravenscroft
- Doing justice: Gender, genre and crime in recent historical biofictions from AustraliaCatherine PadmoreKelly Gardiner
Williams, Merran. 2022. “Positioning Jessica Anderson’s The Commandant as a Work of Biofiction.” TEXT 26 (Special 66): 1–15. https://doi.org/10.52086/001c.36982.