All Articles tagged Creative nonfiction
Special Issues: scholarly article
February 05, 2025 AEST The paper assesses the value of harm-preventative measures available to practising Australian editors who work with problematic content in creative nonfiction texts.
Special Issues: scholarly article
December 01, 2024 AEST This paper explores ways of traversing the perceived gap between creative and critical writing to help develop a creative/critical voice appropriate to the creative writing doctoral exegesis.
Scholarly articles
October 31, 2024 AEST This paper charts a genealogy for the critical essay, which I define as a literary essay that includes analysis of an artwork amongst its objects of inquiry.
Scholarly articles
April 30, 2024 AEST Through practice-based research, this article tracks the methodology of digital poems from ideation to execution and publication, offering exegetical insights and a detailed accounting of the tools and processes used.
Scholarly articles
December 22, 2022 AEST This article explores creative nonfiction life writing using Twine, a digital storytelling platform for creating interactive, nonlinear choose-your-own-adventure type narratives.
Special issues: creative works
October 30, 2019 AEST This writing is part of the researcher–writer’s postgraduate work using creative nonfiction to tell the stories of those working to conserve the orang-utan in Sarawak.
Special Issues: scholarly article
October 31, 2017 AEST This paper offers a creative, scholarly examination of formal aspects of the 1,000-year-old Pillow Book of Sei Shōnagon in relation to my own creative nonfiction work.
Scholarly articles
April 29, 2016 AEST A brief history of a prescriptive English language discipline known as English Prime (E-Prime), a method of writing without use of the copula (the verb to be)...
Scholarly articles
April 29, 2015 AEST How is a writer able to convey ‘true’ stories that are inherently reliant on memory, within a constructed narrative persona?
Special issues: editorial
October 31, 2014 AEST The third in the series, Special Issue 27 responds to challenges faced by writers in the academy to identify with precision how their creative work genuinely contributes to knowledge.
Special Issues: scholarly article
October 31, 2013 AEST This essay examines contemporary creative nonfiction literature’s relationship to actuality, arguing that the actual is as much character as subject in nonfiction literature...
Special Issues: scholarly article
October 31, 2013 AEST This essay explores the tensions in the paradoxical location of ‘non-fiction’ — or the de-hyphenated ‘nonfiction’, as we prefer — as a literary/artistic category built upon a negation.
Scholarly articles
October 30, 2011 AEST This article examines issues related to moving NetGen student writers into the demanding and rapidly expanding creative nonfiction market.
Special Issues: scholarly article
October 31, 2010 AEST For a year, between 2009 and 2010, I wrote a wine-review column in a free regional newspaper as a passionate amateur...
Scholarly articles
October 30, 2010 AEST Debates about the relationship between fiction and nonfiction are complex but remain critical to the field of book-length journalism...
Scholarly articles
October 30, 2010 AEST Writing memoir, in particular, raises a host of ethical questions regarding the ownership of the material and the ways in which it can be used...
Scholarly articles
October 30, 2009 AEST Living in stories: creative nonfiction as an effective genre for writing about death and bereavementThis paper discusses the human affinity with story telling and the reasons the bereaved write their stories.
Interviews
April 29, 2001 AEST This virtual interview is extracted from email conversations and Michael Sternberg's publications as detailed in the references at the end of this article.
Creative works
April 30, 2000 AEST I am not only witty in myself, the Old Man once had me say, but the cause of wit in other men - or something like that...
Creative works
April 30, 2000 AEST To get to Albany, the capital of the State of New York, I took an Amtrak train from the Penn Station in New York City...
Creative works
April 30, 2000 AEST Back in England back in time, a memory theatre of growing up there, all the struggles and resistances after the new world sense of freedom, back to accent, class, place...
Creative works
April 30, 2000 AEST 'If you don't behave yourself, you'll be sent to boarding school.' Oh, what promise I saw in that threat!...
Scholarly articles
April 30, 2000 AEST I consciously wrote the novel Strange Objects as a composite or 'collage' of genres, as written history itself is a collage of genres...
Creative works
April 30, 2000 AEST History takes the past and wraps it in gauze. This translucent layer of interpretation compresses the myriad moments of by-gone lives and events, forcing them into a seductively compact shape...
Creative works
April 30, 2000 AEST In the end, I think we just give up the city to the cars. We let them take over. We just give up the city -gracefully...
Editorial
April 30, 2000 AEST The aim of this collection is to begin to reveal some of the variety and qualities of creative nonfiction as it is practiced in Australia.
Interviews
April 29, 2000 AEST To introduce Professor Gutkind as a Keynote Speaker at the Writing 2000 Conference, I constructed this (creative nonfiction) virtual interview from our email conversation and from the author's published works.