ISSN 1327-9556
Vol. 22, Issue Special 51, 2018October 31, 2018 AEST
Size matters: class numbers and the creative writing workshop
Size matters: class numbers and the creative writing workshop
Articles in Vol. 22, Issue Special 51, 2018
Vol. 22, Issue Special 51, 2018
- Introduction: ‘Climates of Change’, papers from the 2017 AAWP annual conferencePatrick Allington, Piri Eddy and Melanie Pryor
- Writing, water and woe: the natural environment in _Australian Women’s Weekly_ feature articles on flood, 1934-2011Rosemary Williamson
- _The Four Seasons_ in flux: Interpreting Nigel Kennedy through a hybrid biographyPaul MundenAnouska Zummo
- Why speculate – the current state of ‘spec-fic’ publishingCat SparksRose Michael
- Food, Fears and Anxieties in Climate Change FictionDebra WainPenelope Jones
- The narrative of assemblage (and the assemblage of narrative)Ian McHugh
- To edit or not to edit? Why is editing academic collections not recognised in the Humanities?Sue JosephJohn Dale
- Changing tertiary landscapes for the artist-academic: towards a framework for nurturing creative arts research beyond the PhDAriella Van LuynRobyn Glade-Wright
- Size matters: class numbers and the creative writing workshopShady Cosgrove
- Touching stories: Objects, writing, diffraction and the ethical hazard of self-reflexivityKay Are
- Digital publishing and the Australian novella: considering the Impact of Nick Earls’ _The Wisdom Tree_ SequenceJulian Novitz
- The perfect crime: trauma writing strategies in crime fictionLeanne Dodd
- ‘Faith, Love, and Hope’: reading the maturation process in Matthew Quick’s _Sorta Like a Rock Star_ through a Kristevan lensKerstin Kugler
- Our Father, Who Art in Heaven: reflecting on how Christian text can influence nonfiction writingJanice Simpson
Cosgrove, Shady. 2018. “Size Matters: Class Numbers and the Creative Writing Workshop.” TEXT 22 (Special 51): 1–10. https://doi.org/10.52086/001c.25587.