ISSN 1327-9556
Vol. 19, Issue Special 33, 2015October 31, 2015 AEST
To the very ground of meaning, to vary the ground of meaning
To the very ground of meaning, to vary the ground of meaning
Articles in Vol. 19, Issue Special 33, 2015
Vol. 19, Issue Special 33, 2015
- Introduction: Art as parodic practiceMarion May Campbell, Dominique Hecq, Jondi Keane and Antonia Pont
- May 68: Parodic rehearsals of the future in Lacan and DurasDominique Hecq
- To the very ground of meaning, to vary the ground of meaningJondi Keane
- The culture of complaint, or ‘Postmodernism, an ode’; Being an melencholly lament upon the death of Wm. Shakspeare & other master-peeces of ancient beautie and tragedieDarren Tofts
- Implicit acts of filth: the parodic virtues of cleanlinessAritha van Herk
- Pathology or intervention? – Deleuze’s masochism and its relation to parodyAntonia Pont
- In the museyroom: a speculative genealogy of post-criticismStephen Abblitt
- After Motherwell, after Manet and after Goya: the performative power of imaging and the intensely presentBarbara Bolt
- Reverberation and the parodic: an invitation to the spaces of soundJosephine Scicluna
- Dissident Laughter: Historiographic metafiction as parodic intervention in _Benang_ and _That Deadman Dance_A. Frances Johnson
- Having sex with capitalism: parodic in-citation in the prose poem sequenceMarion May Campbell
- EATAnia Walwicz
Keane, Jondi. 2015. “To the Very Ground of Meaning, to Vary the Ground of Meaning.” TEXT 19 (Special 33): 1–16. https://doi.org/10.52086/001c.27122.