Articles in Vol. 19, Issue Special 33, 2015
Vol. 19, Issue Special 33, 2015
- Introduction: Art as parodic practiceMarion May Campbell, Dominique Hecq, Jondi Keane and Antonia Pont
- May 68: Parodic rehearsals of the future in Lacan and DurasDominique Hecq
- To the very ground of meaning, to vary the ground of meaningJondi Keane
- The culture of complaint, or ‘Postmodernism, an ode’; Being an melencholly lament upon the death of Wm. Shakspeare & other master-peeces of ancient beautie and tragedieDarren Tofts
- Implicit acts of filth: the parodic virtues of cleanlinessAritha van Herk
- Pathology or intervention? – Deleuze’s masochism and its relation to parodyAntonia Pont
- In the museyroom: a speculative genealogy of post-criticismStephen Abblitt
- After Motherwell, after Manet and after Goya: the performative power of imaging and the intensely presentBarbara Bolt
- Reverberation and the parodic: an invitation to the spaces of soundJosephine Scicluna
- Dissident Laughter: Historiographic metafiction as parodic intervention in _Benang_ and _That Deadman Dance_A. Frances Johnson
- Having sex with capitalism: parodic in-citation in the prose poem sequenceMarion May Campbell
- EATAnia Walwicz
Walwicz, Ania. 2015. “EAT.” TEXT 19 (Special 33): 1–9. https://doi.org/10.52086/001c.27131.