ISSN 1327-9556
Vol. 21, Issue Special 42, 2017October 31, 2017 AEST
The human hole: Problematic representations of trauma in Jonathan Safran Foer’s Everything is illuminated and Extremely loud and incredibly close
The human hole: Problematic representations of trauma in Jonathan Safran Foer’s Everything is illuminated and Extremely loud and incredibly close
Articles in Vol. 21, Issue Special 42, 2017
Vol. 21, Issue Special 42, 2017
- Introduction: Writing Trauma: TraumascopesBridget Haylock and Suzanne Hermanoczki
- Australia is a crime scene: Natalie Harkin’s intervention on national numbness and the national idealMeera Atkinson
- Aboriginal testimony, trauma and fiction: transcribing massacre in Randolph Stow’s _To the Islands_Kate Leah Rendell
- ‘First the misery, then the trauma’: the Australian trauma memoirDonna Lee Brien
- Beyond this point here be dragons: consideration and caution for supervising HDR writing trauma projectsCarolyn RickettSue Joseph
- Beyond Trigger Warnings: Working towards a strengths-based, trauma-informed model of resilience in the university creative writing workshopPenni Russon
- Autobiographical research in a post-traumatic body: a retrospective risk analysisAngela J Williams
- The Body is Just a Metaphor for the Soul: Performing trauma in the work of Leela Corman and Tom HartElizabeth MacFarlaneLeonie Brialey
- Resonances of the Negative: Traumatic Affect and Empty Spaces of WritingMichael Richardson
- The Alexievich methodMaria Tumarkin
- Remembering and Rewriting the Familial Traumascape in Alice Pung’s memoir _Her Father’s Daughter_Suzanne Hermanoczki
- Into the unknown: Daniel Mendelsohn’s _The Lost_ and the writing of third-generation Holocaust literatureAntonia Strakosch
- The human hole: Problematic representations of trauma in Jonathan Safran Foer’s _Everything is illuminated_ and _Extremely loud and incredibly close_Sarah Dowling
- Emerging from Entrapment: Sue Woolfe’s modern Gothic _Painted Woman_Bridget Haylock
- ‘a separate world, a small and enclosed universe’: Phobic de/construction of space in Joan Barfoot’s _Dancing in the Dark_ to circumscribe traumaDanielle Schaub
- The 45th ParallelLaura Kenny
- Writing Trauma and Testimony: literary critique and manifestoBridget Haylock
Dowling, Sarah. 2017. “The Human Hole: Problematic Representations of Trauma in Jonathan Safran Foer’s Everything Is Illuminated and Extremely Loud and Incredibly Close.” TEXT 21 (Special 42): 1–12. https://doi.org/10.52086/001c.25919.