This website uses cookies

We use cookies to enhance your experience and support COUNTER Metrics for transparent reporting of readership statistics. Cookie data is not sold to third parties or used for marketing purposes.

Skip to main content
TEXT
  • Menu
  • Articles
    • Creative works
    • Editorial
    • Interviews
    • Reviews
    • Scholarly articles
    • Special issues: creative works
    • Special issues: editorial
    • Special issues: interviews
    • Special Issues: scholarly article
    • All
  • For Authors
  • Editorial Board
  • About
  • Issues
  • Blog
  • Journal Policies
  • Special Issues Series
  • search
  • X (formerly Twitter) (opens in a new tab)
  • Facebook (opens in a new tab)
  • RSS feed (opens a modal with a link to feed)

RSS Feed

Enter the URL below into your favorite RSS reader.

http://localhost:20796/feed
ISSN 1327-9556
Special Issues: scholarly article
Vol. 21, Issue Special 42, 2017October 31, 2017 AEST

‘a separate world, a small and enclosed universe’: Phobic de/construction of space in Joan Barfoot’s Dancing in the Dark to circumscribe trauma

Danielle Schaub,
spatial language circumscribing traumaliterary and psychoanalytic explorationssocial and cumulative traumacreative writing
https://doi.org/10.52086/001c.25921
Photo by Rafaela Biazi on Unsplash

Articles in Vol. 21, Issue Special 42, 2017

Vol. 21, Issue Special 42, 2017
  • Introduction: Writing Trauma: Traumascopes
    Bridget Haylock and Suzanne Hermanoczki
  • Australia is a crime scene: Natalie Harkin’s intervention on national numbness and the national ideal
    Meera Atkinson
  • Aboriginal testimony, trauma and fiction: transcribing massacre in Randolph Stow’s _To the Islands_
    Kate Leah Rendell
  • ‘First the misery, then the trauma’: the Australian trauma memoir
    Donna Lee Brien
  • Beyond this point here be dragons: consideration and caution for supervising HDR writing trauma projects
    Carolyn RickettSue Joseph
  • Beyond Trigger Warnings: Working towards a strengths-based, trauma-informed model of resilience in the university creative writing workshop
    Penni Russon
  • Autobiographical research in a post-traumatic body: a retrospective risk analysis
    Angela J Williams
  • The Body is Just a Metaphor for the Soul: Performing trauma in the work of Leela Corman and Tom Hart
    Elizabeth MacFarlaneLeonie Brialey
  • Resonances of the Negative: Traumatic Affect and Empty Spaces of Writing
    Michael Richardson
  • The Alexievich method
    Maria Tumarkin
  • Remembering and Rewriting the Familial Traumascape in Alice Pung’s memoir _Her Father’s Daughter_
    Suzanne Hermanoczki
  • Into the unknown: Daniel Mendelsohn’s _The Lost_ and the writing of third-generation Holocaust literature
    Antonia Strakosch
  • The human hole: Problematic representations of trauma in Jonathan Safran Foer’s _Everything is illuminated_ and _Extremely loud and incredibly close_
    Sarah Dowling
  • Emerging from Entrapment: Sue Woolfe’s modern Gothic _Painted Woman_
    Bridget Haylock
  • ‘a separate world, a small and enclosed universe’: Phobic de/construction of space in Joan Barfoot’s _Dancing in the Dark_ to circumscribe trauma
    Danielle Schaub
  • The 45th Parallel
    Laura Kenny
  • Writing Trauma and Testimony: literary critique and manifesto
    Bridget Haylock
TEXT
Schaub, Danielle. 2017. “‘a Separate World, a Small and Enclosed Universe’: Phobic de/Construction of Space in Joan Barfoot’s Dancing in the Dark to Circumscribe Trauma.” TEXT 21 (Special 42): 1–11. https://doi.org/10.52086/001c.25921.
Save article as...▾

View more stats

Powered by Scholastica, the modern academic journal management system