ISSN 1327-9556
Articles in Vol. 21, Issue Special 42, 2017
Vol. 21, Issue Special 42, 2017
- Introduction: Writing Trauma: TraumascopesBridget Haylock and Suzanne Hermanoczki
- Australia is a crime scene: Natalie Harkin’s intervention on national numbness and the national idealMeera Atkinson
- Aboriginal testimony, trauma and fiction: transcribing massacre in Randolph Stow’s _To the Islands_Kate Leah Rendell
- ‘First the misery, then the trauma’: the Australian trauma memoirDonna Lee Brien
- Beyond this point here be dragons: consideration and caution for supervising HDR writing trauma projectsCarolyn RickettSue Joseph
- Beyond Trigger Warnings: Working towards a strengths-based, trauma-informed model of resilience in the university creative writing workshopPenni Russon
- Autobiographical research in a post-traumatic body: a retrospective risk analysisAngela J Williams
- The Body is Just a Metaphor for the Soul: Performing trauma in the work of Leela Corman and Tom HartElizabeth MacFarlaneLeonie Brialey
- Resonances of the Negative: Traumatic Affect and Empty Spaces of WritingMichael Richardson
- The Alexievich methodMaria Tumarkin
- Remembering and Rewriting the Familial Traumascape in Alice Pung’s memoir _Her Father’s Daughter_Suzanne Hermanoczki
- Into the unknown: Daniel Mendelsohn’s _The Lost_ and the writing of third-generation Holocaust literatureAntonia Strakosch
- The human hole: Problematic representations of trauma in Jonathan Safran Foer’s _Everything is illuminated_ and _Extremely loud and incredibly close_Sarah Dowling
- Emerging from Entrapment: Sue Woolfe’s modern Gothic _Painted Woman_Bridget Haylock
- ‘a separate world, a small and enclosed universe’: Phobic de/construction of space in Joan Barfoot’s _Dancing in the Dark_ to circumscribe traumaDanielle Schaub
- The 45th ParallelLaura Kenny
- Writing Trauma and Testimony: literary critique and manifestoBridget Haylock
Kenny, Laura. 2017. “The 45th Parallel.” TEXT 21 (Special 42): 1–7. https://doi.org/10.52086/001c.25922.